As the Appliances Drone and Hiccup
“The Madness of an autumn prairie cold front coming
through. You could feel it: something terrible was going
to happen. The sun low in the sky, a minor light, a cooling
star. Gust after gust of disorder. Trees restless,
temperatures falling, the whole northern religion of
things coming to an end. No children in the yards here.
Shadows lengthened on yellowing zoysia. Red oaks
and pin oaks and swamp white oaks rained acorns on
houses with no mortgage. Storm windows shuddered
in the empty bedrooms. And the drone and hiccup of a
clothes dryer, the nasal contention of a leaf blower, the
ripening of local apples in a paper bag, the smell of the
gasoline with which Alfred Lambert had cleaned the
paintbrush from his morning painting of the wicker love
seat.”
—
First paragraph of The Corrections, by Jonathan Franzen
The first sentence grabs you like a crazy, toothless crone
Who won’t let go: meteorological madness!
Delphic gusts of chaos blow fear in the bone.
This is no ordinary midwestern wind, that’s for sure,
The kind into which an ordinary midwesterner might bend
And think no more than “Stiff wind—a real blaster.”
No, this Franzen wind carries not weather but disaster:
The whole northern religion of things is coming to an end.
(Not sure what that means; don’t quite comprehend:
Never heard of a wind blowing down a whole religion,
Let alone a whole religion of things.
But I will be patient: all will come clear in the end.)
“Shadows lengthened on yellowing zoysia”:
Note the masterstroke:
zoysia.
Nothing so mundane in FranzenLand as grass.
You can hear the men talking in that northern clime:
“Hey, Clem: your zoysia’s gettin’ a mite long, friend.”
“I know, Bob, I’m gonna have to mow that zoysia soon.
Not today, though; I don’t have time;
The missus has
Gallus domesticus for evening repast.
Maybe tomorrow afternoon,
After our whole northern religion of things comes to an end.”
“Yeah, you should have plenty of free time then.”
Such an eerie otherness—such a refreshing gloom!—
This would-be American scene has:
This shuddering, childless, mortgage-free, doomed
America with its rude personified appliances,
Dying in the light of a dying star.
What lies behind those shuddering windows?
What unspeakable crimes have been done, and still are,
By the soulless creatures who paid off those mortgages?
What torments did those affluent midwesterners inflict
On a certain young novelist-to-be?
Sing to me, O Franzen! Tell me yet more:
Of the catarrhous croup of a lawn mower,
The angry dissonant burping of a bee,
And the sibilant whisperings of a car
With only three more payments left on it.